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Danny Wainwright
Dracula 2018


Edinburgh review: Dracula by Let Them Call It Mischief


Just plain fun: Crystal Bennes on a riotously camp version of Bram Stoker’s blood-sucking horror classic.


If the Fringe were a nine-course meal, Let Them Call It Mischief’s Dracula would be a lemon-sorbet palette cleanser just before pudding. It won’t necessarily be the thing you remember long after the fact, but sometimes that’s just what’s needed. Especially in Edinburgh.

A ridiculous re-working of Bram Stoker’s Gothic horror novel, this Dracula wants not so much to spread the curse of the undead to England, as to use England’s living to lift his own curse. Failing to adore a youthful paramour more than his narcissistic self, Dracula’s then-lover—a witch, of course—cursed him with vampirism. Dracula can only break the curse if he falls in love with a sweaty-palmed gluten-intolerant English woman who can comprehend the incomprehensible rules of cricket. And you don’t find one of those in Transylvania. Naturally.

Dracula arrives in England, Jonathan Harker hot on his heels, where he meets Lucy and Mina and all the usual suspects–the five-strong company visibly knacker themselves (to the delight of the audience) character swapping at a clip. Where Alyssa Noble’s uninhabited Lucy and Karoline Gable’s feisty Mina advocate women’s suffrage, Rob Cummings’s nearly-feminist Count Dracula is a foil for the Victorian misogyny of Jack Ayres’s Harker and Lucy’s three suitors: asylum director, Dr. John Seward (also Rob Cummings), wet-blanket Arthur Holmwood (also Ayres), and ‘generic American’ Quincey Morris (played by the charismatic Graham Elwell). Armed with a hilariously-terrible Mittal-European accent, Elwell also tackles Van Helsing, the ‘Wampeerie’ slayer, who bitterly curses Dracula’s appearance as the arrival of England’s first invasive immigrant.

Although the entire cast are going full tilt, hamming it up to the nth degree, the occasional clever reference links the camp madness back to its original source. The opening scenes, where Harker travels to Transylvania to meet the Count, are written letters with voice-recorded narration, a neat reference to the epistolary format of Stoker’s text. Elsewhere, cultural (mostly pop) cross-pollination is rife, chiefly in the service of garnering laughs, mostly successfully. The female vampires at Dracula’s castle commence their seduction of Harker via a saucy Lady Marmalade dance number, Dracula woos a puppet version of Lucy (don’t ask) as Romeo in the famous balcony scene, and when Van Helsing and Dracula encounter each other for the first time, they’re singing to the tune of Jean Valjean and Javert’s ‘The Confrontation’. Why? Who knows. But we’re certainly cackling.

Dracula made its debut at Edinburgh in 2016 and it’s not difficult to understand why the production has returned. The script is well-honed, the cast are entertaining, the production is ridiculous, energetic and just plain fun. There’s always a place for shows like this at the Fringe. Somewhere between main and pudding.

Dracula is on at Pleasance Above until 27th August. More info here.

Edinburgh review: Dracula by Let Them Call It Mischief Show Info

PRODUCED BY Let Them Call It Mischief

DIRECTED BY Danny Wainwright

WRITTEN BY Danny Wainwright and Daniel Hallissey


CAST INCLUDES Rob Cummings, Karoline Gable, Alyssa Noble, Jack Ayres, Graham Elwell


EEDINBURGH FRINGE: Dracula at the Pleasance Courtyard

Published by: Clare Brotherwood on 11th Aug 2018 | View all blogs by Clare Brotherwood 


If you’re looking to be scared by this production of Dracula, you are going to be...well certainly not disappointed, but surprised.

Instead, think The Play That Goes Wrong - which began at the Edinburgh Fringe and ended up winning  Best New Comedy at the 2015 Laurence Olivier Awards.

Count Dracula doesn’t want to be a vampire, but to break his curse he has to meet a woman who knows about cricket, has sweaty palms and is gluten intolerant! Get the drift?

Meanwhile, fresh-faced solicitor Jonathan Harker (Jack Ayres) in Transylvania to do business with the Count, finds himself drawn to three female vampires (well, two and one with a beard and a habit of calling him ‘mate’). Cue Carfax Abbey where a man with a broad Yorkshire accent  is eating fish and chips ‘because we’re in Whitby and there’s been no other reference thus far’.

It gets worse - or should I saw better. It’s a celebration of silliness descending into maniacal farce as actors play different characters which look likely to end up on the stage at the same time.

The Let Them Call It Mischief Theatre Company has already taken this show to the King’s Head in London and Brighton Fringe, so it’s pretty well established. And it’s a joy, from the vampiric Rob Cummings in the title role, shuffling around like a penguin, to the ebullient Graham Elwell who plays seven characters, all with great gusto - from a lunatic under Dracula’s spell to vampire hunter Van Helsing, complete with aviation goggles - a sure sign of trouble! At one point he says, ‘Sorry I am late. I came as quickly as I could get changed’.

Oh, and then there’s the cricket match with a gluten free loaf and a head of garlic.

Loved it!

Dracula is at the Pleasance Above, Pleasance Courtyard (Venue 33) at 2,20pm most days.


Dracula-Edinburgh 2018Jekyll & Hyde A Christmas Carol Civil RoguesSherlock Holmes- The London CuckoldsShort FilmsPast ProductionsPhoto gallery page